Storyline: Acid Factory Movie review, story shows puzzled by lack of memory in the hazy mist of doubt, the viewer is seeing only the tip of the iceberg. A motley crew of an undercover officer, a bunch of crooks and two hostages are trapped inside an acid factory, suffering from partial amnesia.But the irony is that they themselves do not know who are the hostages and who are the abductees. They must figure out their lost identities and loyalties before the facialless gangster plagues them on the phone. A genuinely tough job.
Review: Long before Vishal Bhardwaj paid Kaminey’s tribute to Quentin Tarantino, Sanjay Gupta displayed his fascination with his strong, hard-hitting cinema brand for the action autuer.
Infact Kaante was an attempt at desi movie buff with Reservoir Dogs.Acid Factory, his latest development, may be influenced by the lesser known Unknown, there are lots that can be traced back to the edgy violence school hep & happening in Tarantino which shoots straight from the hip.
The plot is like a Rubik cube that at each side acquires the contours of solid colors as the narrative unfolds. Their fears are heightened by a telephone call from the goon gang leader who tells them he’s on his way with the heist and plans to knock off the two hostages as soon as he arrives.
Everyone is scared of their lives because they are unaware of the fact that the hostages are two of them. There is a similar gritty atmosphere to the suspense that threatens to erupt at any turn. Sadly, in the first half, especially, it never does. And there lies the problem with Acid Factory that scores too much in style but falls a little short on drama.
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Acid Factory Movie review; he film opens impressively, once again demanding the viewer to stay abreast with the proceedings that keep flashing back and forth in jagged speed. Fardeen Khan plays an undercover cop loving to stay on the edge of life.
After successfully completing his first task, he infiltrates a gang headed by Irrfan Khan on the behest of his senior (Gulshan Grover, minus all mannerisms). And the job? Stealing a Lamborghini Murcielago Roadster in an edgy co-gangster race boat, Manoj Bajpai.
Next shot: After inhaling the fumes in the factory, he finds himself locked in an acid factory with a bunch of unknown people suffering partial amnesia. The only contact with the outside world is the faceless man shouting orders on the phone, ordering the two hostages to be kept secure before he arrives.
So who the kidnappers are, and who the hostages are? The odd assortment of good and bad guys must figure out their identities before the mysterious boss arrives. The casting is acceptable and the performances don’t mislead. Fardeen, Aftab and Dia are all very decent.
The sexagenarian Danny looks just as new and healthy as the cast young. Manoj Bajpai’s attention-grabbing a la Mahesh Manjrekar in Kaante thanks to his ham. Irrfan Khan’s screen-time is comparatively less but exudes more screen-presence.
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But only if they can defend themselves from each other, for there is the desi Lara Croft (Dia Mirza) who, apart from the unpredictable Danny, Manoj Bajpai, Aftab Shivdasani and Dino Morea, threatens to shoot for no cause at all! You only know Fardeen Khan ‘s ethical moorings which make you play the guessing game until the flashbacks reveal the sundry players’ background.
The movie opens on a promising note but loses much of its momentum through a sluggish first half that tends to become repetitive. The adrenalin pumps up in the second half, with Irrfan Khan adding his silken smooth crookedness to the proceedings with the tip of the razor. Of course, with her black-leathered, high-heeled domatrix debut, we can hardly forget Dia Mirza.
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Clearly the macho lot appears particularly feisty in an acid factory to a famished dozen, reeling from gas leakage under amnesia. In the corner are tucked away sandwiches, clothes neatly starched, a Lara Croft to join them for company (Dia Mirza): not a bad spot for a picnic, I suppose.
Fardeen Khan ‘s know-how has been given more screen time almost as much as we wish. Ultimately, what’s left are the fast-paced stunts by Tinnu Verma, a stylised look and a sufficiently engaging film that broke new ground.